Page 1 of 2 VISIT TO THE LAND OF THE SAMURAI
A DAY IN A CHASEN MASTER'S WORKSHOPLast spring, we visited our Japanese tea growers. On a beautiful day in March, we set out to meet a master chasen maker (special whisks used for matcha tea) in the Kyoto region. Thanks to the help of a volunteer guide who spoke excellent English, we were able to make contact with this artisan, whose reputation we knew of and whose family has been making chasens for generations. Ikukosan, our guide, agreed to accompany us to Takayama to visit this master.
Shortly after, we arrived at Keise Kubo’s home. Since Keise-San was in Tokyo on business, we were visiting with Mrs. Kubo and her son, Kyousuke. Although only the father is recognized as a master artisan, the son (in his mid-thirties) is obviously very skilled and has been making chasens for already 20 years. The title is only given with age in Japan, so he will have to wait to be called a master. Kyousuke and his mother ushered us into their tiny living room, which they also use as a workshop, next to the garden and a little entrance used as a shop. Kneeling on cushions, we’re first offered tea (of course!), a matcha followed by a delicious gyokuro. Mrs. Kubo explained that they usually work late and get up late, so our arrival so early in the morning (around 9:30 a.m.) caught them by surprise. They were extremely nice and we tried as best we could to appropriately respond to their gracious ministrations. As we sipped our tea (and enjoying some treats, as is tradition), we exchanged pleasantries and more clearly explained the purpose of our visit.
He was fascinating to watch, not only because of his skill, precise movements and the fragility of the bamboo at each step of the process, but also by the incredible simplicity of the art that turns an ordinary piece of bamboo into a complex object using only one’s hands and a series of small blades. As we mentioned earlier, the bamboo stalks are cut, plunged into water to remove the oil, dried during the winter and then stored for two years. They are then cut into pieces and only 3 or 4 can be used. Kyousube began working with a six inch piece of stalk with a knot tied around the upper section. |